Blindside Exhibition 6-23 April 2022

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‘Sticks And Stones Will Break My Bones, But Words Can Totally Destroy My Mind!’ is a new exhibition by artist and writer Jenny Hickinbotham, staged as part of Liquid Architecture’s annual Sound Series program at BLINDSIDE.  

Opening Thu, 7. Apr 2022, 6–8pm 

Performances, Sat, 9. Apr 2022, 4–6pm  

See Below for More Details

Jenny Hickinbotham’s work encompasses writing, video, sculpture, and songs. This exhibition features a series of experimental song-poems, performed unaccompanied by the artist in her home, in Gisborne, regional Victoria, and presented in the form of a video, produced in collaboration with Joel Stern and Carmen-Sibha Keiso.  

In these performances Hickinbotham inhabits multiple voices, perspectives and temporalities as she explores the epigenetic impacts of trauma, and the narratives of individuals swept up by the forces of history, institutions, and the places in which they live. Laced with humour, pathos, searing critique, and a powerful imagistic capacity, the songs are profoundly informed by the artist’s own childhood experiences, which resulted in diagnoses of developmental trauma, complex post traumatic stress culminating in the schizophrenia label in early adulthood. Jenny has ‘heard voices’ for most of her life and her work explores her ongoing struggle to challenge the institutional pathologising of these experiences. Understanding these internal voices, listening, giving meaning to them, singing them, and considering their relation to the ghosts of the past and present, is a preoccupation of Hickinbotham’s work.  

Hickinbotham writes: ‘I really want to challenge the notion that ‘hearing voices’ is an illness, needing to be controlled, eradicated and sedated into oblivion, thereby reducing the person’s lived experience to denial and inner pain, forcing the person to live on/feed on that internal pain for the rest of their lives, unable to speak their truth or tell their story. My work pushes back against all this. It is a cathartic expression of exploratory story-telling, and in itself a form of recovery.’